media quotes
…the design is exemplary in how it contributes to the meaning of the performance. Alison Croggan, Theatrenotes, 30 March 2011. The Wild Duck, Belvoir Theatre.
…Niklas Pajanti’s lighting design is ravishing… Jason Blake, The Sydney Morning Herald, 9 February 2010. Spring Awakening, Sydney Theatre Company.
…part rock-n-roll/part art-installation lighting design. Michael Parry, ArtsHub, 16 February 2010. Spring Awakening, Sydney Theatre Company.
…I feel I’m in very good hands, I like the lighting, it’s much darker than it was at MoMA, which makes me feel a bit more comfortable. Tim Burton, The Australian, 23 June 2010. Tim Burton The Exhibition, ACMI.
…especially fine lighting effects by Niklas Pajanti. Nick Dent, Timeout Sydney, 14 February 2009. Baghdad Wedding, Company B.
…beautifully rendered and evocatively lit… Boris Kelly, ArtsHub, 12 February 2009. Baghdad Wedding, Company B.
…Niklas Pajanti’s wondrous lighting achieves intimacy and scope. Bryce Hallett, The Sydney Morning Herald, 13 February 2009. Baghdad Wedding, Company B.
…a spectacular lighting design by Niklas Pajanti. Augusta Supple, Australian Stage, 16 July 2009. The Promise, Belvoir Theatre.
…I could not imagine this production without the inspired lighting design by Paul Jackson and Niklas Pajanti. Simonne Michelle-Wells, Australian Stage, 9 August 2009. Strangeland, NYID.
…heightened by some moodily expressive lighting from Niklas Pajanti. Alison Croggon, Theatrenotes, 21 September 2009. One Night The Moon, Malthouse Theatre.
…Niklas Pajanti’s lighting design melds seamlessly into the setting to help create indelible images. I G Mykyta, ArtsHub, 11 March, 2008. When The Rain Stops Falling, Brink Productions.
…The Lighting design (Niklas Pajanti) is detailed and remarkably beautiful. Kevin Jackson, Theatre Reviews, 7 July 2008. Spring Awakening, Company B.
…the lighting by Niklas Pajanti…is transportingly beautiful… Kevin Jackson, Theatre Reviews, 19 September, 2008. Yibiyung, Company B.
…beautiful lighting by Niklas Pajanti. Alison Croggon, Theatrenotes, 14 August 2007. Holiday, Ranters Theatre.
… gorgeously lit… Alison Croggan, The Australian, 29 November, 2007. Not What I Am – Othello Retold, The 11th Hour.
…lushly lit in the dark cavernous spaces of the theatre… Alison Croggan, Theatrenotes, 13 September, 2005. The Crucible, The 11th Hour.
. . . a finely honed lighting design by Niklas Pajanti. . . Hilary Crampton, The Age A2, 23 November 2004. Under the Weather, Tracie Mitchell.